![]() In 2016, Gee was arrested with 12 pounds of Marijuana and faced 10 years of trafficking. The names of the gangs to which EST Gee was affiliated have not been mentioned.īut he grew up in Kentucky, where several gangs work operated their work. Moreover, he grew up in a troubled neighborhood and was always exposed to violence back in 2016.ĮST Gee family all belong to the African-American ethnicity and holds American nationality. His family all lived in Kentucky, along with his other siblings. He has dropped many hits and has collaborated with high-profile rappers from the music industry.ĮST Gee grew up in his hometown in Louisville, Kentucky. His dream has come true with his dedication and hard work.įurthermore, Gee genres are Southern Hip Hop and Trap. This week’s best songs, “Lemon Pepper Freestyle” featuring “Real As It Gets” featuring and The Roof”Ĭurrently, George is one of the successful rappers in the rap industry of America. It was sad for the rapper to see his mother pass away due to Leukemia, and his brother was killed in a street fight. Moreover, it was his mother who took care of the rapper and his other siblings. His father was a gangster and always got involved in the fighting. Currently, his age is 27 years old.Īs a child, he grew up in a family that dealt with poverty. He was born in the year 1994 on May 11 in Louisville, Kentucky. ![]() Moreover, the rapper is highly active on social media accounts like Twitter and Instagram. He is a successful rapper, and yet his bio-details are not found on the Wikipedia page. He is a unique artist and has his own right with a distinctive voice as a street rapper. EST Gee’s lyricism doesn’t bring the catharsis of a therapy session or the removed vantage point of hindsight I Never Felt Nun comes straight from the heart, hardened like armor.Gee is a popular American rapper known for his creative skills in his album “I Still Don’t Feel Nun,” which shot his limelight. Though rap has reached vast new emotional depths in the last decade, Gee’s confessionals are still startling in how bluntly they address the demons head-on. There’s a loose religiosity to the album’s themes, evident in titles like “Is Heaven for a Gangsta,” “Hell,” and “Bow and Say Grace.” But just like romance, faith can offer more fear and uncertainty than comfort: “Is there heaven for a shooter/Is there heaven for a mover?/Or was I born in hell and all this shit an illusion?” In his most vulnerable moment, on “Voices In My Head,” EST Gee sings to a friend who took his own life, and as he lies awake in bed praying for release, Gee admits to admiring the “bravery” of the act. The pain is obvious and the sentiments impassioned, but the central refrain-“When you come home/Just know I miss you/Like you missing me”-is Gee at his most melodic, suggesting a capacity for emotionally driven anthems beyond raw bars. ![]() The guitar riff on “Come Home” is emo-tinged, but Gee’s full-throated chorus sounds more like it was ghostwritten by bro-country troubadour Sam Hunt. While others might numb the trauma with substances, Gee more often speaks of death and violence themselves as addictions, unable to imagine life without the bloodlust itself.Īt times, bars alone can’t encapsulate the hurt, and Gee’s singing reveals a voice desperate to exorcize and express his emotions. ![]() The ad-libs underneath EST Gee’s bars are a non-stop current of mumbles and half-formed syllables, an uncanny counterpoint to his most precise raps that mimic a paranoid stream of thoughts. On the opening of “Both Arms,” his gravelly flow is drier than jerky, and he frequently trails off and cracks like his voice is on the verge of giving out. Gee’s delivery carries a sense of purposeful desperation, like he’s rapping not to tell a story or offer wisdom, but to keep breathing. It’s when he gets back to his roots that Kelly is at his most tolerable, with a more genuine energy than his alt-rock cosplay. The most surprising regional touch is the appearance from Machine Gun Kelly on “Death Around the Corner,” an unexpected reminder that, long before he was a pop star chasing the clout dragon, MGK was a rageful Ohio-bred Yelawolf knockoff who feuded with Eminem. There’s a slight Southern twang to the production, with Zaytoven-esque organ trills on “Voices in My Head” and triumphant horns on album closer “The Realest,” a throwback to classic mixtape era trap that caps off with a Jeezy feature. He equally channels the ferocious speed of current Michigan rap, the aching lyricism of Chicago drill, and the bluesy refrains of Southern crooners like Kevin Gates and Rod Wave. Like his home state, Gee’s music sits at a stylistic Mason-Dixon Line, situated between the Bible and Rust Belts, deep fried and industrialized in equal measure.
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